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Terrace Station Kitchen Museum – a family legacy
Rakaia Terrace Station at Hororātā was the home of Sir John Hall – runholder, politician and premier of New Zealand (1824–1907) – and his wife, Rose, Lady Hall (1828-1900). The homestead, which is listed as a Category 1 historic place by Heritage New Zealand Pouhere Taonga, has been continuously occupied by five generations of the family since the 1860s. To secure its future preservation, it is now owned by the Terrace Station Charitable Trust but lived in and cared for by Kate Foster (pictured above), great-granddaughter of John and Rose. The large colonial kitchen, housed within an 1896 addition to the homestead, was used until 1971 and became a museum in 2021.
Image: The Homestead, Terrace Station. Courtesy of Terrace Station Charitable Trust.
Three vintage hand-beaters from the Terrace Station kitchen museum. These handed-down hand beaters tell us about kitchen life for generations of cooks at Terrace Station. From top to bottom, the beaters are the Dover 'Mammoth' (patented 1873), the Taplin (patented 1908), and the Swift Whip (1950s). On loan from Terrace Station Charitable Trust. Photographed by Michelle Sim.
The Kitchen Museum tells a wide range of stories relating to the social history and everyday life of a colonial sheep station and farming family, as well as a century of technological change. It features a remarkable collection of appliances, utensils, equipment, crockery, and recipe books used in the preparation of food at Terrace Station, including the first electric stove used there from 1931. Kate Foster is the present custodian of the collection, caring for the numerous domestic artefacts used and kept by generations of her family - from hand beaters and meat presses from the late 1800s to electric frying pans and jelly moulds from the 1970s. 'Some families do not throw out their kitchen utensils/equipment/recipe books when they become obsolete – it may be that they kept using them past the use-by date, or else have space to put them 'in the attic' for fifty or more years and now they have become museum pieces.'
– Kate Foster
Courtesy of Graham Rowe.
Photographed by Michelle Sim






